|
Over the weekend
I accompanied Susan to an Irish dancing competition in Emmitsburg Maryland,
just south of the Pennsylvania border. She has been dancing for a couple
of years, and this was her second competition. You might have thought
that people just danced for fun, but humans being what they are, dancing
is also a competitive sport, like ice skating. I had really intended to
work through the weekend, but when push came to shove the lure of riding
through autumn foothills to hear some fiddle playing and watch people
dance jigs was simply too powerful.
I had never heard
of Irish dancing until I saw it in the movie Backdraft, which was
the also the first time I thought fire fighting looked kind of cool. Shades
of things to come. Susan and I both possess authentic Irish last names
and reasonably direct bloodlines, so I think in our respective pursuits
we're doing our progenitors proud.
The feis
(pronounced, I discovered, "fesh") was held at a small college.
All ages compete at the event, and despite the best efforts of Michael
Flatley, the dancers are mostly female. The scene inside the athletic
center's large glass doors was chaotic, a swirl of brightly colored dressed
embroidered with complex Celtic knots. I have never seen quite so much
long tightly curled hair in one place in my life (competitors who lack
long frizzy hair frequently don hairpieces with flowing locks sewn into
them, which can lead to the disconcerting scene of a ten-year old detaching
a major clump of her hair like a radiation victim.)
Like the rescue
squad or most human endeavors, the Irish dance circuit is its own world,
with ways that are a mysterious to outsiders. The hair is only the beginning;
tradition proscribes and defines many elements of the dancers' look and
style. Each school has its own costume and teaches its own variations
on the traditional dances. There are smoldering rivalries between some
long-standing schools. Videotaping is prohibited at a feis, Susan told
me, because of fears that one school might try to steal another's steps.
Five separate
plywood "stages" were set up around college's large basketball
court, allowing different events to take place at the same time within
feet of each other. Each stage had its own live music, usually a fiddler,
filling the gym with a constant thrumming wail of Irish white noise. The
bleachers and areas around the stages were packed with people in all types
of traditional dance costumes, from the all black men's outfits to "solo
competitor" costumes (designed by the dancer herself) that were painfully
colorful.
Competitors lined
up on the edge of the stage at the beginning of each event, then came
out in twos to dance for the judge. To keep things moving along, there
are always two people dancing for the single judge. Apparently there is
a certain tolerance of cutthroat tactics between the two dancers. I watched
as some dancers moved in toward the judge to block his or her view of
the other competitor, or boxed the other dancer into a corner so s/he
couldn't maneuver very well. Susan reports that the adults are usually
pretty casual about these things but that some of the young people are
out for blood and play hardball on the dance floor.
One thing I found
interesting about the event was a certain abstinence from traditional
Irish symbology, aside from the Celtic motifs on most dresses. The color
green was only evident in moderation, and there was a pleasant absence
of shamrocks and other Lucky Charms-style kitschy emerald-islandia.
I watched Susan
dance her first event and then headed out to explore some of the surrounding
countryside. She hadn't been feeling particularly confident in some of
her upcoming events, but said I should come back in time for the group
dances later that morning. Just down the road I from the college was the
National Fallen Firefighters Memorial, on the campus of the national fire/rescue
training center. I'd wondered what it was like and decided to visit it
while I was in the vicinity.
The training center
is now under tight security, with barricades and a couple guards checking
IDs and searching cars. After an officer went through my stuff, I was
permitted to walk onto the campus to the memorial. While I was glad that
there was a memorial at all, it seemed like a shame that it was tucked
away on a rural road behind jersey walls and a security checkpoint. Not
to be petty, but police officers who were killed in the line of duty have
a memorial in the heart of Washington DC.
And, although
I hated to admit it, I wasn't particularly impressed with the memorial
itself. The reputation of firefighters is not that they are deeply contemplative,
but the memorial could have taken a shot at being a little more poetic.
It didn't inspire thoughts of sacrifice or courage or fear or loss or
family or any of the other things I that come to mind when I think about
dying on the job.
The centerpiece
was an eternal flame. I think this was an interesting choice and perhaps
the only element of the memorial that I liked, simply because its presence
was so troublesome. It evoked the odd love/hate relationship that so many
rescuers have with fire (and, by extension, their mortality). Behind the
flame, a stone obelisk was topped with the traditional Maltese Cross,
and around this centerpiece were plaques with the names of firefighters
who had died in previous years. It had all the elements of your usual
commemorative memorial, but there was just something lacking. It was like
a grave site -- sterile, uninviting.
Unfulfilled, I
walked slowly back down the tree-sheltered main road of the training center,
thinking about memorials. What is this urge to commemorate in stone and
space? Why should I care about where a memorial sits or even if it exists
at all? I don't want a grave or any marker when I die; it seems like a
dumb waste of ground. Still, I had kind of wanted this memorial to matter
to me.
I returned to
the feis in time to see Susan compete in a two group dances. Overall,
she placed in five different dances, including a first place in her jig.
I was rather surprised that she didn't wear her gold medal for the entire
weekend.
|