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When I got back from Chicago
I took another listen to my "When I'm Dead" mix and found it
lacked something. Maybe I was just in too crappy a mood when I made it;
the collection seemed a bit whiney. Or I don't know, maybe I was in an
inappropriately ebullient mood when I got back from my road trip and had
no business evaluating a mix designed to be played after I'm downsized
from the species.
Also, I began to think maybe
my death mix didn't have enough recent music in it; there is a preponderance
of songs made more than 5 years ago. It didn't seem... I don't know, sassy.
So I started fiddling and got the whole thing good and muddled up. Tonight,
after trying to cram one more tune back into a compilation that already
runs past the time limits for a single CD, I had one of those moments
in which you "realize" something moronically simple that nonetheless
appears profound at the time of revelation (the simpler, the better, according
to the absurd rules of late-night revelation). This was that I never wanted
to finish the mix. I wanted to have some things left undone so there would
always be some work to do. When I wrap up all my little projects here
on earth there won't be much to hang on to vis-à-vis continued
existence. The best I could hope for would be to create a nice snapshot
of my perfect death mix of the moment and hope I would have the chance
to do an update in a year or so. I know it's dumb; that's philosophy on
a few black-and-tans around midnight.
My posthumous CD is entitled
"Something." I'm not going to bother to explain the metaphoric
properties of that choice. But I think it's kind of cool without being
too annoying, you know?
I've been thinking that a CD
designed for one's survivors is a great exercise that everyone should
undertake. Not only is a worthwhile exploration of one's mortality, but
it's a great opportunity to dig back into the old tune collection. It's
certainly a far cry from making your standard "faves" mix. You
have to think about those you love and what you'd want for them in your
absence. Reminders - yes. Suitable sorrow. But also a touch of healing,
the potential for future happiness. You don't want to club them over the
head with it, just put them on the right road.
Certain songs are pretty much
off-limits, unless you're some kind of sadist and want your friends and
relatives to really suffer. I had to reject an otherwise lovely song that
includes the line "You cause as much sorrow dead as you did when
you were alive" and another entitled "I Love You Good-bye"
(a breakup tune in its original conception). But I think I'm leaving in
"She Sells Sanctuary" and "Heaven or Las Vegas" because
I know my people can take a little ribbing, even in their time of grief.
I should know better than to
do this, but I'm issuing an open invitation to the three or four people
who still read this journal to send their own death mix playlists. I'd
love to see what folks choose. Let's publish them and achieve a kind of
electronic immortality! I know that in the past when I've done one of
these "send me this or that" things it's all come to tears,
but this will be different. Take a day, and think about the world after
you're gone. You need to heal the world's pain proactively while you're
still here. Then send your picks to seven at deadlysins dot com. I'll
spill mine too.
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